To begin to look at graphic scansion, we first must look at a couple of symbols that are used to scan a poem. For a discussion of the others, I refer you to Fussell, page 18. Since the most commonly and most easily used is graphic, we will use it in our discussion. As long as the pattern of stressed syllables is the same in each line, its OK to overlook. There are three kinds of scansion: the graphic, the musical and the acoustic. Meter isnt just syllable count, it is feet, as in the first answer. This technique is called scansion, and it is important because it puts visual markers onto an otherwise entirely heard phenomenon. To get a bearing on what these rhythms look and sound like, let's start with a method for writing out the rhythms of a poem. The former is the more common adherence to the latter often leads an English language poet toward self-conscious verse, as their predictable rhythms are counter to natural English speech (not that it is impossible to create great verse with this technique, but there is a tendency for it to end up so). For this reason most English language poets opt to look at their own meter as accentual or accentual-syllabic. There may be one, two, or three syllables between accents (or more, but this is a matter of debate). This means that its natural rhythms are not found naturally from syllable to syllable, but rather from one accent to the next. English, being of Germanic origin, is a predominantly accentual language. In the last decade a large number of computer programs have been developed to identify scansion in English poetry that is, the intended rhythm of stressed and. Of the ways of looking at meter, the most common in English are those that are accentual. ![]() Quantitative: Measures the duration of words.Accentual-syllabic: A counting of syllables and accents.Accentual: A counting of accents only per line.Syllabic: A general counting of syllables per line.Fussell defines meter as "what results when the natural rhythmical movements of colloquial speech are heightened, organized, and regulated so that emerges from the relative phonetic haphazard of ordinary utterance." (4-5) To "meter" something, then, is to "measure" it (the word meter itself is derived from the Greek for measure), and there are four common ways to view meter. Click on the ear icon to hear the sound The first line, about horses galloping, has an unusual preponderance of dactyls, while the second is nearly all spondees, giving a very. ![]() It has 6 (Greek hex) metra, or feet, usually a mixture of dactyls and spondees. Although some of Fussell's ideas are a bit outdated (namely, he doesn't deal with the visual elements of a poem), his approach is complete, concise and useful. To get a bearing on what these rhythms look and sound like, lets start with a method for writing out the rhythms of a poem. The line used by Homer and the Greek epic poets was adapted by the Romans. ![]() The bible of most poets today regarding meter and sound is a book by Paul Fussell called Poetic Meter and Poetic Form. The crafting of the aural aspects of a poem is what we may call "ear training." Thus, the crafting of the visual aspects is what we'd call "eye training." Meter
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